Further information about the Bee shelter is available in both leaflet and booklet form. Please follow the link above.
The published histories were all agreed, the Bee Shelter was medieval, built for the convent of Holy Trinity at Caen in Normandy. The stone came from Caen and the honey and wax when harvested were taken there. The fascinating structure comprised 28 stone recesses or boles supported on Tudor arches ?Tudor? - ?medieval? the 'listing' description said 17th century! The experts even questioned whether it was Caen stone!
Old deeds in Gloucestershire record office quickly resolved the first question by actually naming the stonemason responsible as Paul Tuffley. He had built the Bee Shelter in the garden of the house in which he lived until 1852 (when his mortgagee repossessed and sold it!). Local geologist and historian Arthur Price was consulted. He knew of successive generations of the Tuffley family who Victorian stonemasons and quarry masters, who used the canal network to supply Cotswold stone throughout Britain.
When Sir Charles Barry was appointed the architect for the new Houses of Parliament, he made Gloucestershire sculptor John Thomas supervisor of all the stone carving and specified the Tuffleys' stone for parts of the interior work. Thomas would have known and probably worked with the Tuffleys at the start of his career. He had been Barry's foreman when King Edward VI Grammar School in Birmingham was built also using stone from their quarries, so it was no surprise when it was again chosen for Westminster.

Price established that the Bee Shelter was also constructed from Cotswold limestone, partly weatherstone and partly freestone. The original freestone slabs had been cut with a crosscut (two man) or frigbob (one man) saw from squared and scabbled blocks. Axe marks can be seen beneath some of the shelves, showing that they were the first pieces to have been sawn from the block. This axe and saw work would have been performed underground. The visible tooling marks are all typically Victorian, using all the then current technology - routing, core-drilling, sawing, fretting and chiselling. The ornamentation was described by restoration consultant Rory Young as being within the vocabulary of a provincial stonemason of the period, although architecturally ungrammatical! The partition brackets he considered utterly curious and unique.